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Counteract

Status:

Temporary Exhibition 20th May - 20th November 20th

Date:

2023

Site:

18th Biennale di Architettura di Venezia, Italy

Size:

~ 50 sqm

Collaborators:

Stage One, AECOM, ApARTe°/Escuela Moderna

Team:

Andrea Maretto, Leonne Vögelin, Nataniel Sawadogo, Fabiola Büchele

Francis’s Kéré was invited by Lesley Lokko, the first African curator of the Biennale Architettura in Venice, to participate in the Biennale Architettura 2023 exhibition titled “Laboratory of the Future”. Occupying two rooms in the Central Pavilion in Giardini, Kéré’s installation sought to give context to the history and potential future of the architecture from and for West Africa. “Just because our history was interrupted by others, does not mean our future has to be,” read Kéré Architectures curatorial statement. The installation explores what this may mean for architecture through three themes: Was Was, What Is and What Can Be.


What Was took the shape of a clay wall showcasing the sustainable material that has been tried and tested in West African architecture for centuries.


What Is attempts to drive home the crammed and more uncomfortable living conditions of urban living in many of West Africa’s metropolises today, with an abstract interpretation of the concrete structures commonly found in rapidly growing urban areas. 


For the installation’s highlight, What Can Be, Francis Kéré prototypes what happens when the expertise of traditional architecture is thoughtfully braided together with the needs of contemporary living. The work occupies a dedicated room, and takes the shape of an organic pavilion, inviting visitors to pause and immerse themselves in an architecture that feels at once familiar and unlike anything they have experienced before.


Staying true to Kéré’s participatory way of working, the details of the installation were worked out with Stage One, a York based creative manufacturing and engineering company, which has been a trusted Kéré partner since their collaboration for the studio’s Serpentine Pavilion in 2017. Stage One’s team familiarised itself with working with clay for the first time and in a close creative exchange ensured the vision of Kéré Architecture was turned into a viable installation format. 

Francis’s Kéré was invited by Lesley Lokko, the first African curator of the Biennale Architettura in Venice, to participate in the Biennale Architettura 2023 exhibition titled “Laboratory of the Future”. Occupying two rooms in the Central Pavilion in Giardini, Kéré’s installation sought to give context to the history and potential future of the architecture from and for West Africa. “Just because our history was interrupted by others, does not mean our future has to be,” read Kéré Architectures curatorial statement. The installation explores what this may mean for architecture through three themes: Was Was, What Is and What Can Be.


What Was took the shape of a clay wall showcasing the sustainable material that has been tried and tested in West African architecture for centuries.


What Is attempts to drive home the crammed and more uncomfortable living conditions of urban living in many of West Africa’s metropolises today, with an abstract interpretation of the concrete structures commonly found in rapidly growing urban areas. 


For the installation’s highlight, What Can Be, Francis Kéré prototypes what happens when the expertise of traditional architecture is thoughtfully braided together with the needs of contemporary living. The work occupies a dedicated room, and takes the shape of an organic pavilion, inviting visitors to pause and immerse themselves in an architecture that feels at once familiar and unlike anything they have experienced before.


Staying true to Kéré’s participatory way of working, the details of the installation were worked out with Stage One, a York based creative manufacturing and engineering company, which has been a trusted Kéré partner since their collaboration for the studio’s Serpentine Pavilion in 2017. Stage One’s team familiarised itself with working with clay for the first time and in a close creative exchange ensured the vision of Kéré Architecture was turned into a viable installation format. 

"What Can Be". Photo by Iwan Baan.
"What Is". Photo by Iwan Baan.
Visitors at the installation. Photo by Iwan Baan.
Painting of "What Is". Photo by Kéré Architecture.
Setup of "What Is". Photo by Kéré Architecture.
"What Can Be". Photo by Iwan Baan.